![]() I sat down tried to play Grieg's Concerto. At the the end of of day I'm a pianist and a organist who had to learn synthesis and technology to make a living and raise two kids. I have lots of stuff but now only I just play what is handy. Especially if you create things that are timbre specific. But I guess that has to be your nature if you are a composer. ![]() What do you think? How do you overcome overchoice?ĭon't overthink things. But that’s just one example of intentionally seeking to limit yourself and I’m sure it can be applied to any situation of choice overload, e.g. He recently posted about how he is more creative with self imposed limitations and gives an example of trying to come up with a music idea by only using two keys at a time, no chords. I’ve been following a composer on YouTube, Jameson Nathan Jones, who is a former classical composer who is now using synths and creates modern music. I start laying down an idea in my DAW and when I begin browsing through the thousands of patches and options I feel a sudden choice paralysis, should I use this synth, or maybe that, or no, maybe that other one, no, no, no… and it instantly kills my creativity. (Well, not exactly but I’m trying to make a point). I also have multiple hardware synths and pianos. ![]() I’ve purchased a lot of virtual instruments, effects and apps, third-party patches.
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